Search: Starring Alice Lowe

Charm' is just one of the words, and others like 'winsome' are right there - it manages this without ever feeling forced, without ever feeling twee - and that makes it a triumph.

The Almond And The Seahorse gradually coalesces like the pieces of an old memory coming back together.

It's laugh out loud funny in places, and there's an endearing earnestness throughout.

The script sparkles, delivering plenty of great moments.

Strathie succeeds in capturing a bit of the Spielberg-style magic he's aiming for and in quieter scenes where we're allowed to experience wonder instead of being told what to feel, it's an enchanting experience.

There's a volatility and a sweetness at play in what is, at heart, a character study and writer/director Craig Roberts strikes an impressive balance of mood.

Too clever and cynical for its own good.

Whilst the dark comedy here generally hits the spot and the characters are quirky yet believable, God’s Petting You doesn’t really have enough substance to justify its running time

Formulaic but exuberant, packed with quirky humour and very difficult not to like.

It's like a suicide. And there's nothing to look at

One of the cleverest and most entertaining comedies of the year.

Writer-director Alice Lowe takes a blowtorch to the picture postcard image of pregnancy.

If Malick's lands were bad, then Wheatley's are sad, as small injustices, petty jealousies and perceived slights lead to cold blooded murder and childish revenge.

The pacing, like Holloway, is out of control, sometimes racing along but, more often, hanging about for no apparent reason.

Lowe’s approach is an exhiliarating, if sometimes a bit scrappy, mix of high and low brow.